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FEATURED ARTIST: CAROLE BOLSEY
artist's statement
for me painting is gesture with the brush,
action, motion, like drawing,
but more physical and
concrete
superimposed gestures, strokes and stains
coalesce into a field, generating a space.
the composition, the subject matter, the paint
are one.
the action is the painting.
the action has begun elsewhere.
It crosses the canvas,
and is carried by its momentum
out beyond the rectangle.
Carole Bolsey, this year's featured artist, received a BA in Painting from
Bennington College in Vermont after receiving a certificat at l'Ecole des
Beau-Arts in Geneva Switzerland and at the Accademia di Belle Arti in Florence,
Italy. Since then her work has been exhibited across the United States and
Japan. Her works are on display in public, private, and corporate collections. A
full-time painter, Ms. Bolsey will teach painting at the Rhode Island School of
Design this fall. She was a Lecturer in Architecture/Visual Studies and an
Assistant Professor of Painting and Drawing at Harvard University from 1988-96.
Bolsey will display paintings, installation pieces and sculptures throughout the
reception area.
www.carolebolsey.com
Solo Exhibitions and Installations
|
 |
| Red Brook Gallery Presents Carole Bolsey,
Washington, DC |
2004 |
| Large Works, Maryland Hall for the Creative Arts,
Annapolis, MD |
2003 |
| Beasts in Motion, Troyer Gallery, Washington DC |
2003 |
| New Work, Troyer Gallery, Washington DC |
2003 |
| A Shape With No Name, works on a theme
Paintings/Installation/travelog-catalog |
|
| American Institute of Architects, National
Headquarters, WDC |
1999 |
| American Institute of Architects, Richmond, VA |
1999 |
| Water, with Julian Sibony, National Academy of
Science, Washington, DC |
1999 |
| Two Screens, a Painting, and a Construction,
Academy of Art, Easton, MD |
1999 |
| Horses, Barns, and Boats, Clark Gallery, Lincoln,
MA |
1999 |
| Waterfields/New Paintings, Troyer Fitzpatrick
Gallery, Washington, DC |
1997 |
| Waterfields Paintings, Troyer Fitzpatrick Lassman
Gallery, Washington, DC |
1997 |
| Waterfields Paintings, Gallery 375, Tokyo, Japan |
1995 |
| Lightfields II: A Shrine to the Shrine, an
installation in many places |
1995 |
| Tokyo School of Art and Tamagawa River Park,
Tokyo, Japan |
|
| Carole Bolsey: Waterfields, The New Gallery,
University of Miami, Coral Gables, FL |
1995 |
| Currents:Carole Bolsey, Harvard University,
Graduate School of Design |
1992 |
| New Works: Paintings by Carole Bolsey Franz Bader
Gallery, Washington, DC |
1992 |
| Frank Schlesinger & Associates, Architects,
Washington, D.C. |
1992 |
| Carole Bolsey: New Paintings, Micalady Gallery,
Tokyo, Japan |
1991 |
| Lightfields I, Installation, Komoro, Nagano
Prefecture, Japan |
1991 |
| Gallery Naga, Boston, MA |
1986 |
| Thought Totems, Installation, Harvard University,
Cambridge, MA |
1986 |
| New Work, Harvard University |
|
| Carpenter Center for Visual and Environmental
Studies |
1983 |
| New Paintings, Clark Gallery, Lincoln, MA |
1983 |
| Interiors, Atlantic Union College, South
Lancaster, MA |
1982 |
| Paintings, Gallery Naga, Boston, MA |
1981 |
| Drawings and Paintings, Boston Center for the
Arts, Boston, MA |
1980 |
| Drawings/Paintings, Gallery Naga, Boston, MA |
1978 |
| Boston Center for the Arts, Boston, MA |
1978 |
| West Canton Street Gallery, Boston, MA |
1975 |
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Selected Group Exhibitions
|
 |
| Whatever Meredyth Wants, Gallery NAGA, Boston, MA |
2005 |
| Fusion One, Resident Artists' Exhibit, Pyramid
Atlantic Art Cntr, Silver Spring, MD |
2004 |
| Artweek, Baltimore Symphony, MD |
2004 |
| Designer House, Gala, Washington, DC |
2004 |
| Art for Art's Sake, National Museum of Women in
the Arts, WDC |
2003 |
| Inaugural Exhibition, New Washington Convention
Center Collection, WDC |
2003 |
| Curator’s Choice, Corcoran Gallery of Art,
Washington, DC |
2002 |
| Fast Forward/Washington Project for the Art |
|
| Corcoran Gallery of Art, Washington, DC |
1999 |
| Hypersalon, Prints/Multiples Emerson Art Center,
McLean Project for the Arts, VA |
1999 |
| Washington Project for the Arts,Corcoran Gallery
of Art, Washington, D.C. |
1997 |
| Designers' House, National Symphony Orchestra,
Washington, D.C. |
1997 |
| Maryland Works, Government House, Annapolis, MD |
1997 |
| Metamorphosis, Washington Project for the Arts, |
|
| Corcoran Gallery of Art,Washington, D.C |
1996 |
| Hunter Museum of Art, Chatanooga, Tennessee |
|
| Washington Project for the Arts,Washington, D.C |
1995 |
| New Paintings, Franz Bader Gallery, Washington,
D.C. |
1993 |
| Feeling and Position, Erisho Gallery, Himeji,
Japanprinting |
|
| Space:Architecture and Art, Tanishima Gallery,
Tokyo, Japan |
1992 |
| Paintings, Micalady Gallery, Tokyo, Japan |
1990 |
| Genesis, Brickbottom Gallery, Boston, MA |
1990 |
| Interior Spaces, Danforth Museum of Art,
Framingham, MA |
1987 |
| New Works by Old Friends, Decordova and Dana
Museum, Lincoln, MA |
1987 |
| When Sculptors and Painters Draw, Art Institute of
Boston |
1987 |
| Drawings from Boston, Decordova and Dana Museum |
1987 |
| Faculty Show, Carpenter Center for Visual Studies,
Harvard University |
1986 |
| Black and White, Gallery Naga, Boston, MA |
1985 |
| Inaugural Exhibition, Varley and Stevens Gallery,
Portsmouth, N.H. |
1985 |
| The Solitary Object, Gallery Naga |
1985 |
| Big Art, Montserrat School of Art, Beverly, MA |
1984 |
| The Still Life, Decordova and Dana Museum |
1984 |
| Accent on Artists, Newton Arts Center |
1984 |
| Figuratively Speaking, Fitchburg Museum of Art,
Fitchburg MA |
1984 |
| Triennial Exhibition, Brockton Museum of Art,
Brockton, MA |
1984 |
| Settings, Decordova and Dana Museum, Lincoln, MA |
1983 |
| New Director's Choice, Gallery Naga |
1982 |
| Works on Paper, Clark Gallery, Lincoln, MA |
1982 |
| Art of the State, Massachusetts Art Fellowship
Exhibition Rose Art Museum, |
|
| Brandeis University, Waltham, MA |
1982 |
| Eighteen New England Painters, Northeastern
University Gallery, Boston, MA |
1982 |
| Three Realists, Mona Berman Gallery, New Haven,
Conn. |
1982 |
| Women in Art, Colby Sawyer College, New London,
N.H. |
1981 |
| About Painting, Clark Gallery, Lincoln, MA |
1981 |
| Gallery Artists, Condeso Lawler Gallery, Lincoln,
MA |
1981 |
| The Fine Art of Business, Federal Reserve Bank,
Boston, MA |
1981 |
| The Bennington Collection, Sotheby Parke Bernet,
New York, New York |
1980 |
| National Painting Show Washington and Jefferson
College, Washington, PA |
1980 |
| Invited Printmakers, Philadelphia Art Alliance and
Print Club, Philadelphia, PA |
1980 |
| Art of the State, Massachusetts Art Fellowship
Exhibition |
1979 |
| Rose Art Museum, Brandeis University, Waltham, MA |
|
| New England Drawing, Decordova and Dana Museum |
1979 |
| The Still Life, Phillips Exeter Academy, Exeter, N.H. |
1979 |
| Invitational, Philadelphia Print Club |
1979 |
| Women/Erotica, Wellesley College Gallery,
Wellesley, MA |
1976 |
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Teaching
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| Graduate School of Design, Harvard University |
1988-1996 |
| Lecturer in Architecture/Visual Studies |
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| Carpenter Center for Visual and Environmental
Studies, Harvard University |
1985-1988 |
| Assistant Professor of Painting and Drawing |
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| Carpenter Center for Visual and Environmental
Studies, Visiting Lecturer |
1983-1985 |
| Decordova and Dana Museum, Instructor of Painting
and Drawing |
1980-1983 |
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Bibliography
|
 |
"Rural Studio", Coastal Living Magazine,
Jennifer Chappell, October, 2004
"Studio on the Water", Baltimore Sun, Maryland Home, Rosemary Knower,
April 4, 2004
"Her painted tributes...", Boston Patriot Ledger, Karen Goulart, Dec.
22, 2004
"Raising Fallen Faces: artist mourns...", Kingston Reporter, Greg Derr,
Dec. 23, 2004
“Resident Artist”, Chesapeake life Magazine, Mary Ann Treger,Feb. 2002
"Seeing the light on her landscapes, brilliantly," The Boston
Globe,Cate Mcquaid, Nov.18,1999
"An Angle on the Roofs of the World," The Washington Post, Benjamin
Forgey, May 29, 1999
"Illuminating Space," Southern Accents Magazine, Frances MacDougall,
March/April, 1999
"In the Desert of the Mind: Carole Bolsey's Construction of Feeling,"
Donald Kuspit
Carole Bolsey: Waterfields, University of Miami, exhibition catalogue, March,
1995
"Hidden in Plain Sight: the Waterfields/Watershacks of Carole Bolsey,"
J. W. Mahoney
Carole Bolsey:Waterfields, University of Miami, exhibition catalogue, March,
1995
"On Waterfields," Artist's Statement, Carole Bolsey
Carole Bolsey: Waterfields, University of Miami, exhibition catalogue, March,
1995
"Universal and abstracted beauty of 'Waterfields,'" Joanna Shaw Eagle,
The Washington Times, January 28, 1996
"Carole Bolsey:Waterfields, at Troyer Fitzpatrick Lassman Gallery,"
Must See, Anne Banks, Koan Magazine, February, 1995
"Bolsey's Mastery Keeps Waterfields Afloat" Helen Cohen, Miami Herald,
March 4, 1995
"The Free State Through Artists' Eyes/Maryland on Canvas," Sara Tanguy,
Mid-Atlantic Country Magazine, March 1995
"Bennington, Art, and Space" Carole Bolsey, Quadrille Magazine,
Winter, 1994
"For Carole Bolsey, Life is a Work of Art," Paula Lobo, Kingston
Independent Voice, September 2, 1987
Prelude Magazine, Ann Brigham, October, 1987
Boston Globe, Robert Taylor, July 19,1987
"Bolsey presses to the brink of abstraction," Boston Globe, Christine
Temin, November 27, 1986
"Three Gifted Women," Boston Globe, Nancy Stapen, November 23, 1986
“Bolsey Paintings”, Boston Herald, Nancy Stapen, November 11, 1984
"Alternative Space,", Lois Tarlow, cover feature, Art New England
Magazine, March, 1984
Art New England Magazine, Phyllis Koenig, February, 1983
Boston Review, February 1983
"Carole Bolsey Painting Exhibit", North County Advocate, March 10,
1982
Boston Visual Artists' Union Newsletter, Phyllis Koenig, May, 1981
Boston Globe, Robert Taylor, March 12, 1981
Art New England Magazine, Nancy Stapen, March, 1981
Art New England Magazine, Kyra Montagu, March, 1980
Boston Globe, Carole Bolsey, April, 1981
VIP Magazine, Eleanor Siege, March, 1980
Boston Globe, Robert Taylor, November 19, 1978
Boston Phoenix, Martin Fishkin, January, 1976
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Public and Corporate Collections
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The New Washington Convention Center Collection,
WDC
IBM Corporation
Dupont Corporation
Decordova and Dana Museum, Lincoln, MA
Prints and Drawings Collection, Boston Public Library
First National Bank of Maryland
Security Pacific National Bank, Los Angeles, CA
Bank of Boston, Commission
Rhode Island College, Providence, RI
Sidley & Austin, WDC
Preston, Gates, WDC, Commission
Palmer & Dodge, Boston, MA
Nutter, McLennon and Fish, Boston, MA
Nimrod Press, Boston, MA
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Education
|
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| Bennington College, Bennington, Vermont B.A.
Painting |
1969 |
| Ecole des Beaux-Arts, Geneva, Switzerland,
Certificat |
1966-1967 |
| Accademia di Belle Arti, Florence, Italy |
1965-1966 |
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